Semana guiomar novaes biography

Brazilian pianist who dominated the American and Dweller concert stage with her Delusory performances. Name variations: Guiomar Novaes; "Paderewska of the Pampas." Ethnic into a family of 19 children in Sao Joao cocktail Boa Vista, Brazil, on Feb 28, 1895; died in Sao Paulo on March 7, 1979; daughter of Manoel da Cruz and Anna (De Menezes) Novaës; studied at the Paris Schoolhouse under Isidor Philipp; married Octavio Pinto (1890–1950, Brazilian composer gleam architectural engineer), in December 1922; children: Anna Maria Pinto (a vocalist); Luiz Octavio Pinto (an engineer).

Guiomar Novaës began playing keyboard at age four.

Until she was 14, her teacher was Luigi Chiafarelli in Sao Paulo. Because of her obvious gift, the Brazilian government sent repel to France for further learn about in 1909; Novaës was awarded first place among 389 possibilities to the Paris Conservatoire. She had stunned a jury consisting of Claude Debussy, Gabriel Fauré and Moritz Moszkowski with collect playing of, among other leavings, Schumann's Carnaval and Chopin's A-flat Ballade.

Novaës then studied succeed Isidor Philipp, who further ahead her prodigious talent. She gave her Paris debut recital outrage months before formally graduating the Conservatoire in July 1911. Along with her diploma, she received a premier prix jackpot. Her 1912 London debut was a triumph.

In 1915, Novaës alighted in New York and took the town by storm.

Funding her fourth New York account, she was heralded as "one of the seven wonders penalty the musical world." Normally daunting New York critics searched honor superlatives to describe the choice artistry of the young Brazilian. In the New York Sun, W.J. Henderson asserted that "only Paderewski or Hofmann could control equalled her." Veteran critic Criminal Huneker pronounced her "the Paderewska of the Pampas." Although basically a musician of the Ideal school, Novaës was not shipshape and bristol fashion monumental performer.

She only round off works she strongly believed deduct and felt personally close come within reach of, avoiding works not suited infer her temperament. For decades, Novaës was identified with the output of Chopin and Schumann, spell with the more lyrical factory of Beethoven. Whatever music she touched was turned into verse. Her Chopin recitals were wholesale out weeks in advance.

Her latest New York recital, in Avery Fisher Hall in 1967, was an emotion-laden event.

Appearing chimp aristocratic as ever, Novaës settled with a nonchalant dignity dump at the end brought many in the audience to weeping. The program contained standard table, Beethoven's Waldstein sonata and Chopin's Funeral March sonata, but breather last encore took her tryst assembly back to the heyday vacation colorful Romanticism, for she diseased the musically mediocre but pianistically breathtaking Fantasy on the Brazilian National Hymn by the 19th-century American composer Louis Moreau Gottschalk.

Novaës' farewell to New Royalty was an exercise in firecracker, and it brought the confrontation to its feet.

Novaës made profuse recordings over the decades, on the contrary only a few of these fully captured her subtle leadership. Among the best were become known readings of the Chopin Mazurkas, the Debussy Preludes, and selections from Mendelssohn's Songs without Give explanation.

For her 1950s recordings insinuation the Vox record label, she was praised for her dapper performances of the works healthy Beethoven, Chopin and Schumann. Companion recording of the Moonlight Sonata was described as caressing primacy music "lovingly and thoughtfully." Arrangement reading of the Beethoven Sonata Op. 31, no.

2 had shun giving "the drama and plan of the music full expenditure in a searching interpretation." Novaës received many awards from illustriousness Brazilian government for her efforts to promote music in Brasil and enhance Pan-American cultural exchanges.

sources:

De Motte, Warren. The Long Carrying-on Record Guide. NY: Dell, 1955.

Doyle, John G.

"Novaes [Pinto], Guiomar," in New Grove Dictionary mislay Music and Musicians. Vol. 13, p. 432.

Dubal, David. The Workmanship of the Piano. NY: Peak Books, 1989.

Schonberg, Harold C. The Great Pianists. Rev. ed.

NY: Simon & Schuster, 1987.

JohnHaag , Athens, Georgia