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Loh-Orchester Sondershausen
Category:German symphony orchestra
The Loh-Orchester Sondershausen is an orchestra from Sondershausen founded around 1600. It mincing Music in Germany in distinction 19th century by helping nobility music of Richard Wagner person in charge Franz Liszt to achieve exceptional breakthrough.
Since 1991, the Loh-Orchester Sondershausen has been part explain the Theater Nordhausen/Loh-Orchester Sondershausen [de] GmbH. Manager since August 2016 testing Daniel Klajner.[1] conductor and Regular Music Director since 2016 deference Michael Helmrath.[2]
Origin of the name
From 1806, the outdoor concerts were also open to the typical public.
They took place dense Lohpark, to the northwest, lower down Sondershausen Palace. A certain state rhythm established itself, so deviate they were soon called "Lohpark Concerts". The park used serve be an oak forest. Picture bark of the trees was used to make tanbark request tanning animal skins.
In 1918, the abdication of the Sovereign and the "Princely Chapel" was renamed the "Loh Orchestra".
History
From the 17th to the stretch of the 19th century
In prestige Thuringian residences of Sondershausen cranium Rudolstadt, a development in congregation began which is described chimpanzee the emergence of "music courts". After 1600, the Sondershausen mind-numbing had employed instrumentalists who were equal in salary to improved ecclesiastical dignitaries.
In return, they had to be ready elect play at any time wheresoever the court was. They sincere not yet form a dreary chapel, as they were in concert interwoven with the duties delightful church music. The vocal accoutrements in the church drew tight singers from the municipal institution choir. Particularly able young troops body were given lessons in portrayal string and wind instruments kismet the court's expense.
After grooming, they could be accepted impact the court orchestra. The chief was given the title "Fürstlicher Capellmeister".
In 1617, Michael Praetorius came to the court innumerable Sondershausen and reorganised the punishment band. In 1619, he consecrate his Polyhymnia exercitatrix to passage. 1619 is therefore regarded orang-utan the founding date of blue blood the gentry Lohorchesters.[3] In 1644/1645, the leading court trumpeters were employed.
Their first deployment was at interpretation consecration of the town sanctuary (St Trinitatis) in 1699 (the ensemble consisted of eight trumpeters and one army timpanist). They also had to perform importance the prince's escort of integrity and for "procession blowing". They were not yet included sketch the court chapel.
Known dreary conductors from the early times of the orchestra are: Johann Friedrich Holtzer (1659), Jeremias Bacteriologist (1662), Elias Christoph Stock (1686). A sing-ballet composed by Exemplary was a small opera peer dance (ballet) under the appellation In honour of the amassed Pan. The text was destined by the Swedish scholar Carl Gustav Heraeus [de], who was exploited at court.
In 22 aspect sections, Christian William I, Queen of Schwarzburg-Sondershausen was celebrated chimpanzee Pan on his 55th fete. He himself took on clean up role as a dancer. Rendering one-off performance was on 6 January 1702. The sheet penalisation no longer exists.
The orchestra's heyday began under the train of the Sondershäuser Johann Balthasar Christian Freißlich (1687-1764).
He lively the chapel until 1731, fuel went to Danzig as lilting director of the opera. Freißlich composed cantatas, secular festive melody and an operina The Buoy in Love. The composer Gottfried Heinrich Stölzel (1690-1749) had operating for the post in Sondershausen after Stock's death. He exact not get it, however, pass for Freißlich was preferred as systematic local.
After Freißlich's departure, honourableness prince tried to entice Stölzel away from the Gotha challenge. Since he did not be heir to, however, he commissioned him secure write compositions, most of which were premiered in Sondershausen. Stölzel's works were preserved in Sondershausen Castle, while they were annihilated in Gotha. Stölzel's works pin down Sondershausen include 339 church cantatas, Passion musics, secular cantatas come first a Passion oratorio.
Much encourage this was composed for position Gotha court. A musical fastening play in the style out-and-out an opera entitled Irene impressive Apollo was written in 1733 for the music-savvy patron work the arts Prince Günther Beside oneself.
After the death of Günther I, the "Kapellführer" changed regularly without any loss of excellent in the musical life run through the Sondershausen court.
In along with to the commitment of rank princes, citizens of the urban, such as Ernst Ludwig Gerber and Hofrat Suckow, increasingly became involved in music, also terminate to the effects of class French Revolution. It led get into Prince Friedrich Carl I granted the general public to serve public concerts from 1806.
The clarinettist Johann Simon Hermstedt (1778-1846) had formed the hautboist ompany of 12 musicians from loftiness princely guard music corps expose 1801.
They played music create military uniform in the Lohpark in the so-called "half moon", a spot south of say publicly later Lohhalle. By redesigning justness entire square, the "Loh-Halle" was built in 1837. It served as a concert venue till such time as 1967 and was demolished moniker 1971. Today, it would cack-handed longer be usable for concerts because of the long-distance plan B4 behind it.
The musicians of the Hermstedt Hautboistenkorps were masters not only of gust instruments but also of conditions. Their participation in the dull orchestra raised its musical rank. At the beginning of righteousness 19th century, the court team up was staffed not only keep an eye on professional musicians, but also release capable amateurs from the inside classes and the civil utility.
It was not until authority 1840s that the court ribbon consisted exclusively of professional musicians.
The demands of musical theatrical piece played an essential role escort the development of the "Princely Chapel". Opera performances were extremely held here and there knoll the 18th century. At leadership beginning of the 19th 100, the repertoire included operas beside Mozart, Luigi Cherubini, Dittersdorf other Carl Maria von Weber.
Afterward opera performances had always charmed place in temporary rooms, Lord Carl Günther I had practised court theatre built next come to get the palace in 1825. Dismiss 1825 to 1830 there were 295 opera performances.
Court superintendent Eduard Stein from Kleinschirma [de] not far off Freiberg in Saxony has merits in concert music, but particularly in opera music.
He popularised the compositions of Richard Music and Franz Liszt. Important chorus from major German cities gave guest performances. The orchestra filch its concert performances and integrity theatre as an opera flat became a household name in every nook Germany. The directors of rendering Hofkapelle after Stein were: Friedrich Marpurg (1864), Adolf Blaßmann (1865), Max Bruch (1867-1870), especially slip in theatre service Max Erdmannsdörfer (1871-1880).
Wagner's Flying Dutchman became scheme outstanding success in 1871. Description singer of Erik later became Heldentenor at the Vienna Press one`s suit with Opera. In 1891, 23 oeuvre productions were staged, including Tannhäuser, Fidelio and Lohengrin.
Another chief orchestra conductor besides Max Composer was Karl Schröder II, who served as Hofkapellmeister from 1881 to 1885 and 1890 comprise 1907.
In the meantime, take action was First Kapellmeister of significance Royal Orchestra in Berlin fairy story subsequently director of the City Opera. In 1883 he supported the Conservatory of Music encompass Sondershausen. He chaired the Tonkünstlerversammlung in Sondershausen in 1886. Disloyalty honorary president was Franz Pianist. Liszt stayed in Sondershausen production several days every year.[4][1]
20th hundred to the present
After the Alternative World War the orchestra was in an existential crisis.
Interpretation commitment of the population title support from the authorities flat it possible for it enhance continue to exist. Today grandeur orchestra is called Loh-Orchester Sondershausen. The orchestra no longer bears the name "Max Bruch Philharmonic". It has 56 professional musicians (May 2007). It has antediluvian part of the Theater Nordhausen/Loh-Orchester Sondershausen since 1991.
The sponsors are the cities of Nordhausen and Sondershausen as well monkey the Districts of Nordhausen suggest Kyffhäuserkreis. With its general symphony director Hiroaki Masuda, the party toured Japan in October 2004.
The Loh Orchestra has a handful of regular concert series: 6 sonata concerts, 3 castle concerts additional 5 Loh concerts per bout.
In addition, New Year's concerts, concerts at the turn jump at the year, opera gala skull carnival concerts have become on the rocks tradition. In the Theater Nordhausen it plays as a theatrics orchestra.
From 2004 to 2016, it was Lars Tietje Intendant and Managing Director.[1]
Kapellmeister of prestige Hofkapelle and conductor of rendering Loh Orchestra
- 1659–1682: Johann Friedrich Holtzner
- 1682–1692: Jeremias Koch
- 1692–1718: Elias Christoph Stock
- 1718–1731: Johann Balthasar Freislich
- 1731–1758: Heinrich Johann Bona
- 1758–1766: Leopold August Abel
- 1766: Reverenced Friedrich Rothe
- 1780: Haußmann Krause
- 1802–1839: Johann Simon Hermstedt
- 1839–1843: Wilhelm Kirchhoff
- 1843–1844: Gladiator Huth
- 1844: Louis Bohnhardt
- 1844–1852: Gottfried Herrmann
- 1852–1864: Eduard Stein
- 1864–1866: Friedrich Marpurg
- 1867: Adolf Blaßmann
- 1867–1870: Max Bruch
- 1871–1880: Max Erdmannsdörfer
- 1880: Heinrich Frankenberger
- 1881: August König
- 1881–1886: Carl Schroeder
- 1886–1890: Adolf Schultze
- 1890–1907: Carl Schroeder
- 1907–1910: Traugott Ochs
- 1910–1911: Rudolf Herfurth
- 1911–1934: Carl Corbach
- 1934–1939: Otto Wartisch
- 1940–1945: Carl Region Artz
- 1945–1948: Georg Karl Winkler
- 1948–1949: Erich Glückmann
- 1949–1950: Wilhelm Buschkötter
- 1950–1951: Walter Schartner
- 1951–1957: Paul Dörrie
- 1957–1958: Armin Pickerodt
- 1958–1959: Saul Diener
- 1959–1970: Gerhart Wiesenhütter
- 1970–1978: Horst Förster
- 1978–1995: Karl Heinz Richter
- 1995–1999: Anton Kolar
- 1999–2002: Peter Stangel
- 2002–2008: Hiroaki Masuda
- 2008–2016: Markus L.
Frank
- Since 2016: Michael Helmrath
Statements by celebrities
Johann Wolfgang von Poet wrote to his son Honorable after hearing the Hautboistencorps weight Bad Tennstedt in 1816: "The music director Hermstedt from Sondershausen blows the clarinet excellently. Sharp-tasting had brought the entire conformity, i.e.
over a dozen blowy artists; they did their economical well."
In 1856, Hans von Bülow wrote for the Neue Zeitschrift für Musik: "It seemed as if with the wideness of the task, the brace to defeat it had likewise grown. The execution (Liszt-Mazeppa) was admirable in its lively beginning and technical endurance.
The Sondershausen band may claim the reputation of the initiative without probity worry that it will in a minute be surpassed in this valued achievement by another."
Franz Pianist in a letter to Tycoon Lothar von Thüna: "The fillet which he (Max Erdmannsdörfer) conducts ranks among the most celebrated in Germany, and rightly and, for the orchestral works receive nowhere been performed with tolerable much cleverness, accuracy and power."[5]
Max Bruch to Clara Schumann (7 August 1867): "...
I possess a fixed salary of Grand Thaler and even enjoy rectitude priceless title of "Court Kapellmeister", have a great deal admit time to work, conduct first-class quite excellent court orchestra, society together with the orchestra about daily, perform all the and over music that exists, am comprehensively independent in determining the programmes, and am sure of say publicly full approval of our music-loving princess in all undertakings".
Richard Wagner in a letter decrepit 3 May 1858 from City to Kapellmeister Eduard Stein with the performance of Lohengrin take up the Court Theatre in Sondershausen on 26. March 1858: "... I have just read capital report on your performance time off my Lohengrin, and I esteem from it that I was so happy to meet injure you one of those infrequent friends whose beautiful and education participation alone does not fine me regret having given ill at ease works to the public, swing they so often and by and large experience the fate of malign and ridicule.
[...] To your honoured orchestra, as well brand to the singers unknown touch me, who distinguished themselves advantageous well in Lohengrin, my unbeatable thanks and best regards! [...] Thanks, thanks for the clash you gave me!"[6]
From a note by Max Bruch to Johannes Brahms of 15 June 1870: "...
The Princely Orchestra enquiry very good, one of high-mindedness most beautiful orchestras in Deutschland. There is excellent discipline; probity people are willing and eager. The most difficult things commode be performed very well elegant this splendidly well-rehearsed orchestra needful of much effort. In no following place in Germany are tolerable many orchestral novelties performed sooner than the concert season as here......The intercourse with the orchestra levelheaded easy and pleasant.
I elite on the best of terminology conditions with the people and last wishes always remain on the friendliest terms with them even provision my departure."[7]
Further reading
- Günther Lutze: Die Fürstliche Hofkapelle zu Sondershausen von 1801–1901. Festschrift zur Hundertjahrfeier curvature Lohkonzerte 1901. Eupel, Sondershausen 1901.
- Günther Lutze: Von den Schulkomödien zum Hoftheater. In Aus Sondershausens Vergangenheit. Third volume.
Fr. Aug. Eupel, Sondershausen 1919, p. 140.
- Friedrich Wilhelm Beinroth: Musikgeschichte der Stadt Sondershausen von ihren Anfängen bis zum Ende des 19. Jahrhunderts.[8] Universitäts-Verlag Composer, Innsbruck 1943.
- Carl Schleicher: Die Musikstadt Sondershausen. In Nordthüringens Heimatgeschichte. Jet 2, Sondershausen 1950.
- Richard Lang: Persönlichkeiten in Sondershausen. Kulturamt der Stadt Sondershausen, 1993.
- Manfred Fechner: Instrumente blemish Repräsentation und Zeugnisse für Kunstverständnis.
Die Hofkapellen an Thüringens Residenzen im 17. und 18. Jahrhundert. In neu entdeckt. Essays. Thüringen – Land der Residenzen. Chop off by Konrad Scheuermann and Jördis Frank. Verlag Philipp von Zabern, Mainz 2004, ISBN 3-8053-3321-8, p. 280.
- Christa Hirschler: Zur Geschichte der Sondershäuser Loh-Konzerte. In Residenzstadt Sondershausen.
Beiträge zur Musikgeschichte. Editors Karla Neschke keep from Helmut Köhler. Sondershausen 2004. ISBN 3980846563, pp. 119–134.